In Brazil, the rise of reborn dolls, incredibly lifelike replicas of babies, has created a buzz that reaches beyond mere fascination to a heated political issue. While many individuals find solace, creativity, and joy in collecting and showcasing these dolls, some politicians are now advocating for restrictions on their presence in public areas.
A viral video featuring a young woman preparing her reborn doll, named Bento, for a fictitious hospital journey has captivated audiences on TikTok, accumulating over 16 million views. This role-playing content highlights the broader reborn doll trend, wherein avid fans utilize the dolls for various imaginative scenarios, from birthday celebrations to simulated parenting experiences.
Among the collectors is Juliana Drusz Magri, a 36-year-old woman from Curitiba who has gathered a notable collection of 22 dolls since 2018. She expresses a deep appreciation for the newborn replicas, emphasizing their appeal to enthusiasts. The dolls' hyperrealism has not only captured the interest of the public but has also raised questions about their appropriateness in social settings, prompting legislative action in some regions.
As community reactions to the reborn doll phenomenon continue to diverge, observers note that the intersection of art, social media, and politics is becoming increasingly complex in Brazil.
A viral video featuring a young woman preparing her reborn doll, named Bento, for a fictitious hospital journey has captivated audiences on TikTok, accumulating over 16 million views. This role-playing content highlights the broader reborn doll trend, wherein avid fans utilize the dolls for various imaginative scenarios, from birthday celebrations to simulated parenting experiences.
Among the collectors is Juliana Drusz Magri, a 36-year-old woman from Curitiba who has gathered a notable collection of 22 dolls since 2018. She expresses a deep appreciation for the newborn replicas, emphasizing their appeal to enthusiasts. The dolls' hyperrealism has not only captured the interest of the public but has also raised questions about their appropriateness in social settings, prompting legislative action in some regions.
As community reactions to the reborn doll phenomenon continue to diverge, observers note that the intersection of art, social media, and politics is becoming increasingly complex in Brazil.
