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Egypt’s Pyramids Become Live Canvas for Global Artists at 'Forever Is Now' Exhibition

An international contemporary art show runs Nov 8‑28 on the Giza Plateau, featuring works from artists worldwide, including the first Chinese participant.

By FlashPoint NewsSource: english.news.cn1 min read
Egypt’s Pyramids Become Live Canvas for Global Artists at 'Forever Is Now' Exhibition
Image via english.news.cn

In brief

The sixth edition of 'Forever Is Now' turns the Giza Plateau into an open‑air gallery from Nov. 8 to 28, showcasing contemporary artists from around the world. It marks the first collaboration with a Chinese artist and celebrates 70 years of diplomatic ties between Egypt and China. The exhibition blends ancient heritage with modern art, inviting visitors to explore a dialogue between past and future.

From Nov. 8 to 28, the Giza Plateau transforms into an open‑air gallery for the sixth edition of the “Forever Is Now” exhibition, with artists from across the globe showcasing their work among the pyramids.

The event, organized by the Egyptian multidisciplinary arts firm Art D'Egypte, highlights the juxtaposition of the 7,000‑year‑old Egyptian landscape with contemporary sculptures and installations.

Jiang Qiong Er, a French‑Chinese artist presents “It Is Time to Plant Love,” a piece that features twelve gold‑colored guardian figures made of stainless steel and fiberglass. She said the installation was inspired by ancient civilizations worldwide and aims to unite rather than divide.

At a time when most artists are striving to find differences, I am truly seeking common ground.

Jiang explained that her participation marks the first collaboration with a Chinese artist and coincides with the 70th anniversary of Egypt‑China diplomatic relations.

Nadine Abdel Ghaffar, founder of Art D'Egypte noted that the exhibition offers a chance to showcase both Egypt’s ancient and modern sides. She highlighted that visitors—including school and university groups—come to see a nation whose history spans millennia as well as its contemporary cultural scene.

Turkish sculptor Seckin Pirim explores the link between past and present with his installation “The King’s Road,” built from limestone columns that resemble ancient ruins yet assume modern forms and function as a gate and portal toward the pyramids.

Egyptian visual artist Emad Abu Grain presents “Talisman of Salvation,” a work made of carved stone blocks and rope that draws on ancient Egyptian motifs while provoking contemporary reflection.

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