Ebo Taylor, the Ghanaian guitarist, composer and band leader whose work helped define the highlife genre and influenced generations of African musicians, has died at the age of 90, his family has announced.
Born Deroy Taylor in the city of Cape Coast in 1936, he rose to prominence during the late 1950s and early 1960s as highlife became Ghana's dominant musical form. Taylor played with leading bands of the era, including the Stargazers and the Broadway Dance Band, gaining recognition for his distinctive guitar style and detailed arrangements.
Throughout his six-decade career, Taylor fused Ghanaian rhythms with elements of jazz, funk, soul, and early Afrobeat, inspiring many musicians beyond the African continent. In the last 25 years of his life, his music experienced a renaissance, with the release of tracks like Love & Death capturing new audiences.
A significant period in Taylor's creative journey occurred in the early 1960s when he traveled to London to study music, collaborating with fellow African musicians, including the legendary Fela Kuti. This collaboration was integral to the evolution of Afrobeat.
Upon returning to Ghana, he became a sought-after band leader, arranger, and producer, working with notable artists like Pat Thomas and CK Mann. Influenced by the sounds of soul music and artists like James Brown, Taylor remarked that he sought to integrate funk into Ghanaian highlife, creating a new musical tapestry.
His late career saw a return to studio work, producing albums like Love & Death, Appia Kwa Bridge, and Yen Ara, further cementing his place as a leading figure in Ghanaian music. Despite achieving greater recognition in his 70s, Taylor expressed gratitude for his late-blooming success.
In remembrance, music producer Panji Anoff reflected on Taylor's humility and generosity, recounting how he treated younger musicians as equals. The loss of Ebo Taylor resonates deeply, marking the end of an era for a musician whose innovations bridged traditional and modern music, impacting the global soundscape.
Born Deroy Taylor in the city of Cape Coast in 1936, he rose to prominence during the late 1950s and early 1960s as highlife became Ghana's dominant musical form. Taylor played with leading bands of the era, including the Stargazers and the Broadway Dance Band, gaining recognition for his distinctive guitar style and detailed arrangements.
Throughout his six-decade career, Taylor fused Ghanaian rhythms with elements of jazz, funk, soul, and early Afrobeat, inspiring many musicians beyond the African continent. In the last 25 years of his life, his music experienced a renaissance, with the release of tracks like Love & Death capturing new audiences.
A significant period in Taylor's creative journey occurred in the early 1960s when he traveled to London to study music, collaborating with fellow African musicians, including the legendary Fela Kuti. This collaboration was integral to the evolution of Afrobeat.
Upon returning to Ghana, he became a sought-after band leader, arranger, and producer, working with notable artists like Pat Thomas and CK Mann. Influenced by the sounds of soul music and artists like James Brown, Taylor remarked that he sought to integrate funk into Ghanaian highlife, creating a new musical tapestry.
His late career saw a return to studio work, producing albums like Love & Death, Appia Kwa Bridge, and Yen Ara, further cementing his place as a leading figure in Ghanaian music. Despite achieving greater recognition in his 70s, Taylor expressed gratitude for his late-blooming success.
In remembrance, music producer Panji Anoff reflected on Taylor's humility and generosity, recounting how he treated younger musicians as equals. The loss of Ebo Taylor resonates deeply, marking the end of an era for a musician whose innovations bridged traditional and modern music, impacting the global soundscape.
