Ariana Grande wrapped up her Eternal Sunshine tour in London, delivering an emotional performance that left both the singer and the crowd teary-eyed. On stage she sang “One Last Time”, the song that has become an anthem for survivors of the 2017 Manchester terror attack, and occasionally dropped to kneel and face the audience. Midway through the set she announced that it could be her last show for a “long, long” time, the same conclusion she had hinted at during her recent hiatus announcement.
The finale was bittersweet; a stubborn foot injury forced Grande to trade her signature stilettos for knee‑high platform boots, but she still sprinted across the stage and even pulled the crowd into a massive “Dangerous Woman” chorus. Though a brief moment of tremor came during “Nowhere, Nobody”, the pop superstar retained her magnetic charisma and finished the show climbing into the rafters, disappearing in the same dramatic fashion as all her previous residency concerts.
Grand à early last month kept her fans in suspense by announcing she would be stepping back from all public appearances to deal with relentless scrutiny over her health and appearance, including a publicist’s statement that “endless, ongoing public scrutiny” was driving this retreat. The break also includes her withdrawal from a U.K. production of Stephen Sondheim’s Sunday in the Park with George, a role she was due to share with Wicked co‑star Jonathan Bailey, who in turn exited the play that evening.
Throughout the show, Grande expressed that her decision stemmed from a “thoughtful, empowered place”, and she thanked fans as she recapped how special the experience had been. “I’ll cherish this experience always. I have the best fans in the entire world and I always have,” she said, slipping into a quiet, tear‑filled moment of gratitude toward the audience.
Critics, from Rolling Stone to the Telegraph, praised her flawless staging and vocal strength, noting that even with the foot injury, her performance remained a testament to her powerhouse talent. Yet the Guardian’s Kate Solomon worried that the tour might remain in history for the wrong reasons, stressing just how deeply fans and critics alike were looking forward to seeing the star in action again.
