Biana Watre Momin, a retired college teacher aged 70, has embarked on a life-changing journey, transitioning from a quiet life in Meghalaya to become a sensation in Indian cinema. Leaving behind her home in the Garo Hills, Momin traveled over 3,000 kilometers to Kerala to star in 'Eko', a Malayalam-language film that would unforeseenly shape her future.
Despite coming from a background without any theatre exposure, Momin's spontaneous audition left the film's team in awe. Director Dinjith Ayyathan was in search of a fresh face to embody the character of Mlathi Chettathi, an elder struggling with her past amidst a web of intrigue. Momin's performance, characterized by its quiet strength, has not only garnered critical acclaim but has also opened doors to further opportunities in the film industry.
Momin faced language barriers and the challenges of film production head-on. She learned her lines phonetically, dealt with the dynamics of a professional set, and embraced her role, merging her personal life experiences as a member of the indigenous Garo tribe with her character's journey.
As she reflected on her new-found fame and the impact it could have on representation, Momin expressed pride in being part of a narrative that encourages visibility for older women in cinema. With praises from fellow actors and renewed interest from filmmakers, Momin's story goes beyond mere success; it highlights the essence of cinema as a medium that recognizes authenticity and resilience at any age.
Despite coming from a background without any theatre exposure, Momin's spontaneous audition left the film's team in awe. Director Dinjith Ayyathan was in search of a fresh face to embody the character of Mlathi Chettathi, an elder struggling with her past amidst a web of intrigue. Momin's performance, characterized by its quiet strength, has not only garnered critical acclaim but has also opened doors to further opportunities in the film industry.
Momin faced language barriers and the challenges of film production head-on. She learned her lines phonetically, dealt with the dynamics of a professional set, and embraced her role, merging her personal life experiences as a member of the indigenous Garo tribe with her character's journey.
As she reflected on her new-found fame and the impact it could have on representation, Momin expressed pride in being part of a narrative that encourages visibility for older women in cinema. With praises from fellow actors and renewed interest from filmmakers, Momin's story goes beyond mere success; it highlights the essence of cinema as a medium that recognizes authenticity and resilience at any age.
