Israel's culture minister has threatened to axe funding for the country's national film awards after 'The Sea,' a story about a 12-year-old Palestinian boy, won its top award. The film follows a boy from the occupied West Bank who wants to travel to Tel Aviv to see the sea for the first time, and it claimed the best film honor at the Ophir Awards - Israel's equivalent of the Oscars.
In a statement on X, Miki Zohar expressed that there is 'no greater slap in the face of Israeli citizens than the embarrassing and detached annual Ophir Awards ceremony.' As the winner of the best film category, 'The Sea' qualifies as Israel's entry for the international film category at next year's Oscars.
It's uncertain whether Zohar has the authority to withdraw funds from the awards, according to local media reports. Notably, the film's cast includes 13-year-old Muhammad Gazawi, who won the best actor award - the youngest ever recipient. In the narrative, Gazawi's character, Khaled, is prevented from entering Israel during a school trip but ultimately sneaks across the border to pursue his dream of seeing the sea.
The film’s producer, Baher Agbariya, stated that the movie is about 'every child's right to live in peace, a basic right we will not give up on.' In stark contrast, Zohar described the Ophir Awards as 'embarrassing and detached,' insisting that under his leadership, taxpayer money would not support a ceremony that belittles Israeli soldiers.
In response, Assaf Amir, chair of the Israeli Academy of Film and Television, remarked that in light of ongoing warfare in Gaza, the ability to recognize differing perspectives brings 'small hope.' This incident comes amidst a climate where numerous Hollywood professionals have pledged not to collaborate with Israeli film institutions linked to violence against Palestinians.
The backdrop to this cultural clash is the ongoing conflict following Israel's military response to a Hamas-led attack in October 2023, which resulted in substantial casualties on both sides. The recent UN report alleging genocide against Palestinians has only intensified the discourse surrounding Israeli policies and artistic expressions. As tensions rise, Zohar’s comments reveal the complex intersection of art, politics, and national identity in Israel today.
In a statement on X, Miki Zohar expressed that there is 'no greater slap in the face of Israeli citizens than the embarrassing and detached annual Ophir Awards ceremony.' As the winner of the best film category, 'The Sea' qualifies as Israel's entry for the international film category at next year's Oscars.
It's uncertain whether Zohar has the authority to withdraw funds from the awards, according to local media reports. Notably, the film's cast includes 13-year-old Muhammad Gazawi, who won the best actor award - the youngest ever recipient. In the narrative, Gazawi's character, Khaled, is prevented from entering Israel during a school trip but ultimately sneaks across the border to pursue his dream of seeing the sea.
The film’s producer, Baher Agbariya, stated that the movie is about 'every child's right to live in peace, a basic right we will not give up on.' In stark contrast, Zohar described the Ophir Awards as 'embarrassing and detached,' insisting that under his leadership, taxpayer money would not support a ceremony that belittles Israeli soldiers.
In response, Assaf Amir, chair of the Israeli Academy of Film and Television, remarked that in light of ongoing warfare in Gaza, the ability to recognize differing perspectives brings 'small hope.' This incident comes amidst a climate where numerous Hollywood professionals have pledged not to collaborate with Israeli film institutions linked to violence against Palestinians.
The backdrop to this cultural clash is the ongoing conflict following Israel's military response to a Hamas-led attack in October 2023, which resulted in substantial casualties on both sides. The recent UN report alleging genocide against Palestinians has only intensified the discourse surrounding Israeli policies and artistic expressions. As tensions rise, Zohar’s comments reveal the complex intersection of art, politics, and national identity in Israel today.
