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"Feminist Comedy 'Her Story' Dominates Chinese Box Office Against All Odds"

The film blends social critique with humor, navigating censorship while addressing gender inequality and female empowerment.

By Vivian WangSource: nytimes.com1 min read
"Feminist Comedy 'Her Story' Dominates Chinese Box Office Against All Odds"
Image via nytimes.com

In brief

"Her Story," a feminist-themed comedy, has unexpectedly become a box office sensation in China, touching on sensitive issues like female sexuality and gender stereotypes. The film has thrived despite increasing censorship on feminist expressions, showcasing a growing demand for female-centered narratives in Chinese cinema.

"Her Story," directed by Shao Yihui, has made waves in China’s cinema as it continues to dominate the box office over the past three weeks. The film boldly addresses taboos surrounding female sexuality, the challenges single mothers face, and the implications of censorship in the country. Although it tackles heavy subjects, the film has managed to engage audiences with its humor, leading to its widespread acclaim—even receiving nods from state media.The unexpected success comes at a time when governmental restrictions on feminist activism are stringent, promoting traditional gender roles favoring marriage and childbearing for women. However, the reception of "Her Story" signals a shift as the appetite for narratives reflecting women's experiences grows increasingly potent. Discussions surrounding gender issues are often welcomed as long as they do not escalate into outright demands for rights, allowing the film's satirical approach to slip past regulatory barriers.Director Shao, in her public engagements, has emphasized her desire to avoid inciting gender conflict, a common critique leveled at feminists by official media. Against a backdrop of sluggish box office returns in the industry, engaging female audiences has become a crucial tactic for producers and regulators alike. This evolving market dynamic has led to the rise of other female-driven hits like "YOLO," further solidifying the trend of women's voices gaining prominence in Chinese film.

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